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っていくことをめざして。 2021年、千の葉の芸術祭が誕生します。 “There’s nothing special about Chiba City.” We hear this a lot. But is this really true? Every town has something unique to appeal. What we need to do, is to give ourselves the chance to recognize what’s attractive. What if we are able to look around through the unique and sensitive perspective of an artist. This will lead us to various discoveries, and things will start looking very different. When we encounter

もの展示会が、 街と人の「いま」「過去」「未来」を描き出します。 12 artists created their work in Chiba. Historic buildings throughout the city, or places people walk by daily, become exhibition sites. You’ll have a chance to see photos of city people and scenery, work based on the history of our area, or memories of locations found through research. These works of art will help us raise questions like, "Where is this?" or "Who are we?" By walking through the exhibition locations by connecting the dots, a

THE EXTRAORDINARY VIEWPOINT OF BEING OUT ON THE WATER, EXHIBITS AT YUKARI NO IE INAGE, AN OLD HOUSE AND A REMNANT OF THE OLD DAYS WHEN INAGE PROSPERED AS A RESORT. FOR THIS EXHIBITION, THE ARTIST HAS TAKEN PHOTOGRAPHS OF INAGE, CHIBAMINATO, KEMIGAWA, AND SO ON, AND IT IS INTERESTING TO EXPERIENCE THE REVERSAL OF THE GAZE, AS NARAHASHI BRINGS THE SCENERY VIEWED FROM THE SEA AND THE WATERSIDE INTO YUKARI NO IE INAGE, FROM WHICH VIEWERS USED TO ENJOY THE VIEW OF THE SEA. NARAHASHI PORTRAYS VARIOUS ASPECTS OF THE TOWN, WHERE LEISURE ACTIVITIES SUCH AS SWIMMING AT

, HAS PRODUCED MANY WORKS SET IN THE AREA. THROUGH THESE WORKS, ONE CAN FEEL THE SCENERY OF CHIBA: THE SCENT OF THE SEA AND THE LIVES OF THE LOCAL PEOPLE AT THE TIME, MORE THAN HALF A CENTURY AGO. IN THIS EXHIBITION, KITAI SHOWS THE VIEWER THE PROCESS LEADING UP TO A NEW WORK, STREET TREES, CHIBA, WHICH WAS TAKEN WITH A DIGITAL CAMERA IN THE CHIBA OF THE PRESENT AND IS DISPLAYED ALONGSIDE HIS PHOTOGRAPHS TAKEN IN THE CHIBA OF THE PAST, AS WELL AS OTHER DOCUMENTS. AMONG THESE ARE NOT ONLY PRECIOUS VINTAGE PRINTS PRODUCED DURING THE

られた空間で展示される。 THIS IS AN EXHIBITION FEATURING WORKS BY KUMI YOKOYU, WHO HAS ARRIVED AT PHOTOGRAPHIC EXPRESSION WITH A PROFOUND KNOWLEDGE OF PAINTING AND SCULPTURE. SHE HAS CREATED A GROUP OF WORKS WHILE FACING THE LOSS OF THE PERSON CLOSEST TO HER, HER GRANDMOTHER, AND THE DEEP SORROW THAT ENSUED, UNTIL HER ACCEPTANCE OF THIS IN A VERY PERSONAL WAY. THESE WORKS ARE EXHIBITED ON THE SECOND FLOOR OF THE FORMER KAMIYA DENBEI INAGE VILLA, ORIGINALLY BUILT FOR PRIVATE USE. からっぽを着る There Once Was 2013

PLEASURE OF THIS SERIES IS ITS REPRESENTATION OF MULTIPLE TIMES AND EVENTS IN A SINGLE PHOTOGRAPH WITHOUT THE USE OF COMPOSITE TECHNOLOGY SUCH AS CG. THIS TIME, CHIBA CITY, WHERE THE PHOTOGRAPHER WAS BORN AND LIVED FOR 30 YEARS, SETS THE STAGE FOR MANDA-LA. INITIALLY, THE PHOTOGRAPHER HAD PLANNED TO PORTRAY THE DEVELOPMENT AND CURRENT STATE OF CHIBA CITY, PLACING HIS FATHER, MASAO, A FORMER EMPLOYEE OF THE JFE STEEL CORPORATION (FORMERLY KAWASAKI STEEL CO., LTD.), AT ITS CENTER, BUT INCLUDING HIS FATHER'S FORMER COLLEAGUES, WHO WORKED DURING JAPAN'S PERIOD OF HIGH ECONOMIC GROWTH, THE PHOTOGRAPHER'

—THE BEAUTY OF LIFE THAT DWELLS IN THOSE SMALL THINGS, AND THE DAYS THAT ACCUMULATE WITH THAT AWARENESS. THESE PHOTOGRAPHS AND VIDEO WORKS ARE SCATTERED THROUGHOUT THE SPACE, PARTITIONED BY THE SMALL ROOMS OF THE FORMER OKI NAKA HOUSE, A MUCH-LOVED COMMUNITY CENTER. IN ADDITION, AS IF IN RESPONSE TO THE PHOTOGRAPHER’S PERSONAL LIFE, ANOTHER SERIES OF NEW WORKS THAT CAPTURES THE CHILD REARING OF SOME SWALLOWS THAT CAME TO HER NEIGHBORHOOD IS EXHIBITED. as it is ©Rinko Kawauchi RINKO KAWAUCHI 川内 倫子 1997年に「うたたね」で第9回ひ

出す。 TAKASHI ARAI PRESENTS AN ARTWORK CONSISTING OF HUNDREDS OF DAGUERREOTYPES AND RESEMBLING A FOLDING SCREEN, STRETCHING HORIZONTALLY. EACH DAGUERREOTYPE RECORDS A FRAGMENT OF LANDSCAPE, RANDOMLY SELECTED FROM PHOTOGRAPHS TAKEN BY THE ARTIST ALONG THE EASTERN COAST OF JAPAN BETWEEN 2010 AND 2021. TOGETHER, THESE ARE ABSTRACTLY COMPOSED TO FORM A LANDSCAPE IN SERIES. IT IS AN EXPRESSION THAT REMINDS THE VIEWER OF A PICTURE SCROLL IN WHICH COEXIST DIFFERENT TIMES AND SPACES. THE DAGUERREOTYPE PROCESS, PREDATING THE REPRODUCTION TECHNOLOGY OF MODERN PHOTOGRAPHY, FIXES THE IMAGES TO MIRROR-LIKE SURFACES. THE VIEWER IS REFLECTED IN EACH OF THESE, GIVING

, JAPAN IN 1984. GRADUATED FROM MUSASHINO ART UNIVERSITY, JAPAN IN 2007. SHIMIZU RECEIVED THE 5TH PHOTOGRAPHY 1_WALL GRAND PRIZE IN 2011 AND THE 18TH MIKI JUN AWARD IN 2016. IN 2018, SHE RECEIVED THE R-18 LITERARY AWARD FOR HER WORK AS A NOVELIST. SHIMIZU USES PHOTOGRAPHY AND PROSE TO WEAVE STORIES ROOTED IN THE HISTORY AND LORE OF HER LANDSCAPES. SHE HAS RECENTLY STARTED WRITING NOVELS AS WELL. IN 2019, SHE OPENED THE TIDE/POOL GALLERY IN FUNABASHI. RECENT SOLO EXHIBITIONS INCLUDE WHITESANDS (GUARDIAN GARDEN, TOKYO 2012), MAYIM MAYIM (NEW ACCIDENT, KANAZAWA 2014, UNDO, TOKYO 2014), KILLING

象警報時の対応 気象警報発生時の対応 大規模地震発生時の対応 気象警報発生時の登校について（PDF：208KB） About going to school when a weather warning occurs.（PDF：205KB） 应对天气警报（PDF：284KB） 大規模地震発生時の対応について（PDF：185KB） Response in the event of a major earthquake.（PDF：140KB） 出现天气警告时通勤上