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ったら良かったのに! There are bowls and cups. Designing a dish to resemble an abalone shell shows that their aesthetic sense was just as sophisticated as ours today. The pouring vessel looks like it was something that was created by people from modern times. There were no chopsticks or forks yet. お椀やコップがある。食べ物を乗せるお皿をアワビ型にデザインするなんて、現代人とセンスが変わ
https://www.city.chiba.jp/kasori/infomation/curaterdiary_o.html 種別:html サイズ:80.029KB
in this location, multiple pit-dwellings, small storage pits, etc., overlapped in a complex manner, closely gathered together. Several pits with pillars erected were found inside of pit-dwellings from the middle Jōmon period (approximately 5,000 years ago), and it is believed that these pillars were re-erected several times. In the late Jōmon period (approximately 4,000 years ago), people would rebuild their dwellings and re-use the space for living and as a space to stack shells. This allows us to infer that the people of the Jōmon period used the limited space they had in
https://www.city.chiba.jp/kasori/infomation/r3_field-museum_honyaku.html 種別:html サイズ:21.986KB
라 신사를 관리하던 절) Kōmyō-in Temple Kōmyō-in Temple managed Chiba Minato, the stronghold of the Chiba Clan Kōmyō-in Temple was part of the Buddhist Shingon Sect and was located in Shinmei-chō until the mid-18th century. Since ancient times, Chiba has been a strategic location as it has easy access to both water and land transportation. This geographical advantage was one of the reasons why the Chiba Clan moved their headquarters from Ōji (located in what is now Midori Ward) to Inohana (now Chiba City) in 1126 (foundation year of the
https://www.city.chiba.jp/kyoiku/shogaigakushu/bunkazai/komyoin.html 種別:html サイズ:21.88KB
, different from usual, are encouraged to allow students to try new ways of expression using various types of media. This time the School will hold a Continuous Workshop for the first time, as a special project for the CHIBA CITY FESTIVAL OF ARTS. Three-hour workshops will be held five times, and the last session will be a public presentation of the results. We hope the students can focus on their themes to prepare for their final presentations. VENUE 千葉市生涯学習センター など VIEW MORE ななめな学
https://www.city.chiba.jp/other/sennoha-art-fes/ 種別:html サイズ:110.727KB
もがき、本作は生み出された。 MANDA-LA IS THE MOST IMPORTANT WORK OF PHOTOGRAPHER MASAHIRO USAMI, WHO VISUALIZES THE MEMORY OF A PLACE THROUGH A SINGLE INDIVIDUAL IN A SINGLE PHOTOGRAPH. THE REAL PLEASURE OF THIS SERIES IS ITS REPRESENTATION OF MULTIPLE TIMES AND EVENTS IN A SINGLE PHOTOGRAPH WITHOUT THE USE OF COMPOSITE TECHNOLOGY SUCH AS CG. THIS TIME, CHIBA CITY, WHERE THE PHOTOGRAPHER WAS BORN AND LIVED FOR 30 YEARS, SETS THE STAGE FOR MANDA-LA. INITIALLY, THE PHOTOGRAPHER HAD PLANNED TO PORTRAY THE DEVELOPMENT AND CURRENT STATE OF CHIBA CITY,
https://www.city.chiba.jp/other/sennoha-art-fes/chibafoto/artists/masahiro_usami/ 種別:html サイズ:165.171KB
2021, INEVITABLY REFLECT THE CURRENT STATE OF A CITY AFFECTED BY COVID-19. THE PORTRAITS ARE EXPRESSED VIA BLACK-AND-WHITE PHOTOGRAPHY, THE STANDARD FORMAT OF THE PHOTOGRAPHER'S EARLY WORKS. IN THE HISTORICAL BUILDING OF SAYADO, PEOPLE LIVING IN THE PRESENT AGE GIVE US A VIVID PICTURE OF THE TIMES. Near a Halal shop, Nishi Chiba, 2020©Masumi Kura ハラルショップにいた青年 西千葉 2020©Masumi Kura College students from Nepal, Chiba Park, 2020©Masumi Kura ネパール出身の専門学校生
https://www.city.chiba.jp/other/sennoha-art-fes/chibafoto/artists/masumi_kura/ 種別:html サイズ:163.401KB
1992 WITH A LARGE FORMAT CAMERA; BOUNDARIES IS A SERIES EXPLORING “BOUNDARIES” AS ITS THEME, THE EXHIBITED PHOTOGRAPHS SHOT IN AND AROUND CHIBA CITY, INCLUDING INAGE. SATO’S WORK IS OF A MYSTERIOUS DEPTH, ACHIEVED BY COMBINING MULTIPLE SPACES, EMERGING FROM CLIFFS THAT ONCE FACED THE SEA, AND AT VARIOUS TIMES WITH THE CHANGING SEASONS. EXHIBITED IN THE HISTORIC SPACE OF SAYADO HALL, THESE SERIES PROVIDE A UNIQUE VIEW OF THE WORLD. Boundaries ©Shintaro Sato Geography ©Shintaro Sato SHINTARO SATO 佐藤 信太郎 1969年、東京に生まれる。1992年、東京綜
https://www.city.chiba.jp/other/sennoha-art-fes/chibafoto/artists/shintaro_sato/ 種別:html サイズ:161.802KB
RECORDS A FRAGMENT OF LANDSCAPE, RANDOMLY SELECTED FROM PHOTOGRAPHS TAKEN BY THE ARTIST ALONG THE EASTERN COAST OF JAPAN BETWEEN 2010 AND 2021. TOGETHER, THESE ARE ABSTRACTLY COMPOSED TO FORM A LANDSCAPE IN SERIES. IT IS AN EXPRESSION THAT REMINDS THE VIEWER OF A PICTURE SCROLL IN WHICH COEXIST DIFFERENT TIMES AND SPACES. THE DAGUERREOTYPE PROCESS, PREDATING THE REPRODUCTION TECHNOLOGY OF MODERN PHOTOGRAPHY, FIXES THE IMAGES TO MIRROR-LIKE SURFACES. THE VIEWER IS REFLECTED IN EACH OF THESE, GIVING THE IMPRESSION THAT HE OR SHE HAS ENTERED THEM. WITH THE EXHIBITION HAVING TO BE POSTPONED DUE TO COVID-19,
https://www.city.chiba.jp/other/sennoha-art-fes/chibafoto/artists/takashi_arai/ 種別:html サイズ:160.254KB
this city of commerce and industry, which is home to well-developed food and textile industries against a background of fertile farmland. In the older areas of the city, which include the Parliament building and presidential palace, there are still cathedrals and theaters that preserve the atmosphere of colonial times. Asunción Official Website(Spanish)(外部サイトへリンク)(別ウインドウで開く) Presidential Palace Streets of Asunción Asunción City Hall (Photos courtesy of: Mercosur) このページの情報発信元 市民局市
https://www.city.chiba.jp/shimin/shimin/kokusai/asuncion-top-en.html 種別:html サイズ:17.323KB
、自分で避難することができない外国人の名簿を作っています。 【English】Chiba City Evacuation Assistance Register The City of Chiba is creating a register of those who need assistance evacuating in times of natural disaster. 【中文】千叶市避难行动要支援者名簿 千叶市正在制作发生灾害时没能力自己避难的市民名册 【한국어】지바시 피난
https://www.city.chiba.jp/shimin/shimin/kokusai/bousai.html 種別:html サイズ:24.64KB