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。 稲毛のアーカイブ展示も含めた 13個もの展示会が、 街と人の「いま」「過去」「未来」を描き出します。 12 artists created their work in Chiba. Historic buildings throughout the city, or places people walk by daily, become exhibition sites. You’ll have a chance to see photos of city people and scenery, work based on the history of our area, or memories of locations found through research. These works of art will help us raise questions like, "Where

ョップ,CHIBA FOTO,ななめな学校,ジャックイン展 HOME ARTISTS ABOUT INTERVIEW PLACE 千の葉芸術祭 Instagram 千葉市ゆかりの家・いなげ The Historical "Yukari no ie" House in Inage 千葉市稲毛区稲毛1-16-12 1-16-12, Inage, Inage-ku, Chiba City ASAKO NARAHASHI 楢橋 朝子 SEA SIDE LINE Sea Side Line 水中からの眺めという非日常的な視点から、人

市美術館 11階 講堂 Chiba City Museum of Art 11F Lecture Hall 千葉市中央区中央3-10-8 3-10-8, Chuo, Chuo-ku, Chiba City KAZUO KITAI 北井 一夫 PHOTO BOOKS BEHIND THE SCENES 写真集の裏側 千葉県内に居住する北井一夫には、千葉を舞台にした作品が数多くある。そこからは半世紀以上前の、海の香り漂

のためにつくられた空間で展示される。 THIS IS AN EXHIBITION FEATURING WORKS BY KUMI YOKOYU, WHO HAS ARRIVED AT PHOTOGRAPHIC EXPRESSION WITH A PROFOUND KNOWLEDGE OF PAINTING AND SCULPTURE. SHE HAS CREATED A GROUP OF WORKS WHILE FACING THE LOSS OF THE PERSON CLOSEST TO HER, HER GRANDMOTHER, AND THE DEEP SORROW THAT ENSUED, UNTIL HER ACCEPTANCE OF THIS IN A VERY PERSONAL WAY. THESE WORKS ARE EXHIBITED ON THE SECOND FLOOR OF THE FORMER KAMIYA DENBEI INAGE VILLA, ORIGINALLY BUILT FOR PRIVATE USE. からっぽを

た複雑な条件の中で、作家は、自らの意図や思い描いたイメージを実現しようともがき、本作は生み出された。 MANDA-LA IS THE MOST IMPORTANT WORK OF PHOTOGRAPHER MASAHIRO USAMI, WHO VISUALIZES THE MEMORY OF A PLACE THROUGH A SINGLE INDIVIDUAL IN A SINGLE PHOTOGRAPH. THE REAL PLEASURE OF THIS SERIES IS ITS REPRESENTATION OF MULTIPLE TIMES AND EVENTS IN A SINGLE PHOTOGRAPH WITHOUT THE USE OF COMPOSITE TECHNOLOGY SUCH AS CG. THIS

写真で表現される。さや堂ホールという歴史的建造物の中で、今を生きる人々から時代を表現する。 THIS EXHIBITION CENTERS ON PORTRAITURE SHOT IN THE CITY BY MASUMI KURA, WHOSE WORK OFTEN DEPICTS PEOPLE LIVING IN CITIES THROUGHOUT JAPAN, OR OVERSEAS, AND FROM THE PERSPECTIVE OF VISITORS. CHIBA IS AN UNFAMILIAR PLACE FOR KURA, BUT BY INTERACTING WITH PEOPLE THROUGH HER ART-MAKING, SHE DISCOVERED "A LAID-BACK ATMOSPHERE AND STABILITY AMONG PEOPLE WITH A

まであまり見られなかったポートレートや、小学校でのコマ撮りを繋げた映像作品も上映される。 NAOKI HONJO HAS TAKEN AERIAL PHOTOGRAPHS OF THE TOWNS THROUGHOUT CHIBA CITY, OF THE INDUSTRIAL AREA, AS WELL AS OF THE CITY’S BASEBALL STADIUM, AND PHOTOGRAPHED THE SCENERY OF THE ATHLETIC MEET HELD AT A PRIMARY SCHOOL IN THE CITY, FOR THE SERIES SMALL GARDEN, WHOSE SUBJECT IS “SCHOOL.” INDEED, SCHOOL IS A SYMBOLIC PLACE IN THIS

のように、新作で自宅の近所に飛来したツバメの子育てを捉えた作品群が展示される。 RINKO KAWAUCHI DOCUMENTS FRAGMENTS OF A NEW LIFE IN CHIBA, ALONG WITH THE GROWTH OF HER CHILD, FROM GIVING BIRTH IN 2016 AND RAISING THE CHILD SINCE. AMONG THESE FRAGMENTS ARE THE BEAUTY OF NATURE AND LIGHT THAT HER CHILD MEETS THROUGH THE CHANGING OF THE FOUR SEASONS, SMALL CREATURES THAT HER CHILD FINDS IN EVERYDAY LIFE, AND THE CHILD’S FIRST ENCOUNTER

の人々と、現代を生きるわたしたちとのつながりが感じられる。 SHIHO YOSHIDA'S INSTALLATION FOCUSES ON HISTORY AND TEMPORAL LAYERS AND INCORPORATES PHOTOGRAPHS TAKEN WITH FILM CAMERAS AND EVEN IMAGES FOUND ON THE INTERNET. PROMPTED BY THE PRESENCE OF KASORI SHELL MIDDEN, THE PHOTOGRAPHER DELVES DEEP INTO JOMON CULTURE, FROM WHICH SHE THEN DRAWS FURTHER INSPIRATION, AND, THROUGH HER WORK, EFFECTIVELY EVOKES HISTORY. ONE CAN FEEL THE CONNECTION BETWEEN THE JOMON PEOPLE WHO ONCE LIVED ON THE SAME LAND AND THOSE OF US

に、歴史書には残ることはない複数の「わたし」の存在を、ポートレートやインタビューの記録を使って描き出す。 HAVING ENCOUNTERED THE PHOTOGRAPHS AND DIARIES OF A WOMAN NAMED SHIZU HANAMITSU WHILE EXPLORING THE PAST OF THE FORMER KAMIYA DENBEI INAGE VILLA, SHINGO KANAGAWA DEPICTS THE EXISTENCE OF "I" IN ITS MULTITUDE, WHICH, WHILE NOT IMMORTALIZED IN HISTORY BOOKS, IS IMMORTALIZED THROUGH PORTRAITURE AND DOCUMENTED INTERVIEWS. 金川晋吾 展覧