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the freedom to initiate change. The Chiba City Festival of Arts is the first art festival to be held in Chiba City. There will be 3 programs: CHIBA FOTO A different look at our world through photographic expressions. Experiential/Creation Workshops Workshops where visitors can learn to think and create as they feel. Traditional Culture/New Culture Station A base to take on the challenge of tradition versus innovation. THE CHIBA CITY FESTIVAL OF ARTS 千の葉の芸術祭とは Asako NARAHASHI, Chibaminato, 2019 OUTLINE 写真芸術展　CHIBA FOTO 2021.8.21sat-

tendency to want to start something new. Chiba City should no longer be, “Nothing special” but a place to create “Something new.” Opportunities to learn and change, should exist outside the school, in lots of places. Obviously, you cannot create something from nothing. From the tradition that already exists as part of our lives, we can find brilliant things that can bring on the future. And we can polish these and reshape them into new forms. This is an advantage for us Japanese, who live in a country with a long history. It’s also our responsibility. The present,

　2021 そごう千葉店9階 滝の広場 清水裕貴 コールドスリープ そごう千葉店 海側南エレベーター 川内倫子 as it is 千葉市中央コミュニティセンター松波分室 清水裕貴 コールドスリープ 千葉市中央コミュニティセンター2階 店舗跡地

が意外な形で描き出される。 ASAKO NARAHASHI, WHO CAPTURES PEOPLE’S LIVING PLACES FROM THE EXTRAORDINARY VIEWPOINT OF BEING OUT ON THE WATER, EXHIBITS AT YUKARI NO IE INAGE, AN OLD HOUSE AND A REMNANT OF THE OLD DAYS WHEN INAGE PROSPERED AS A RESORT. FOR THIS EXHIBITION, THE ARTIST HAS TAKEN PHOTOGRAPHS OF INAGE, CHIBAMINATO, KEMIGAWA, AND SO ON, AND IT IS INTERESTING TO EXPERIENCE THE REVERSAL OF THE GAZE, AS NARAHASHI BRINGS THE SCENERY VIEWED FROM THE SEA AND THE WATERSIDE INTO YUKARI NO IE INAGE, FROM WHICH VIEWERS USED TO

, MORE THAN HALF A CENTURY AGO. IN THIS EXHIBITION, KITAI SHOWS THE VIEWER THE PROCESS LEADING UP TO A NEW WORK, STREET TREES, CHIBA, WHICH WAS TAKEN WITH A DIGITAL CAMERA IN THE CHIBA OF THE PRESENT AND IS DISPLAYED ALONGSIDE HIS PHOTOGRAPHS TAKEN IN THE CHIBA OF THE PAST, AS WELL AS OTHER DOCUMENTS. AMONG THESE ARE NOT ONLY PRECIOUS VINTAGE PRINTS PRODUCED DURING THE PHOTOGRAPHER’S MORE-THAN-HALF-A-CENTURY CAREER, BUT ALSO PRINTED MATTER SUCH AS CAMERA MAGAZINES, POSTERS, AND CALENDARS. ADDITIONAL PHOTOGRAPHS IN VARIOUS FORMATS ARE EXHIBITED, INCLUDING NEARLY 50 PHOTOBOOKS, BLOCK COPIES, AND

-LA IS THE MOST IMPORTANT WORK OF PHOTOGRAPHER MASAHIRO USAMI, WHO VISUALIZES THE MEMORY OF A PLACE THROUGH A SINGLE INDIVIDUAL IN A SINGLE PHOTOGRAPH. THE REAL PLEASURE OF THIS SERIES IS ITS REPRESENTATION OF MULTIPLE TIMES AND EVENTS IN A SINGLE PHOTOGRAPH WITHOUT THE USE OF COMPOSITE TECHNOLOGY SUCH AS CG. THIS TIME, CHIBA CITY, WHERE THE PHOTOGRAPHER WAS BORN AND LIVED FOR 30 YEARS, SETS THE STAGE FOR MANDA-LA. INITIALLY, THE PHOTOGRAPHER HAD PLANNED TO PORTRAY THE DEVELOPMENT AND CURRENT STATE OF CHIBA CITY, PLACING HIS FATHER, MASAO, A FORMER EMPLOYEE OF THE JFE STEEL CORPORATION (

かったポートレートや、小学校でのコマ撮りを繋げた映像作品も上映される。 NAOKI HONJO HAS TAKEN AERIAL PHOTOGRAPHS OF THE TOWNS THROUGHOUT CHIBA CITY, OF THE INDUSTRIAL AREA, AS WELL AS OF THE CITY’S BASEBALL STADIUM, AND PHOTOGRAPHED THE SCENERY OF THE ATHLETIC MEET HELD AT A PRIMARY SCHOOL IN THE CITY, FOR THE SERIES SMALL GARDEN, WHOSE SUBJECT IS “SCHOOL.” INDEED, SCHOOL IS A SYMBOLIC PLACE IN THIS EXHIBITION: HONJO’S UNUSUAL PORTRAITURE WAS PRODUCED FROM HIS

ミュニティセンター松波分室 Chiba Chuo Community Center, Matsunami Annex 千葉市中央区松波2-14-8 2-14-8 , Matsunami, Chuo-ku, Chiba City RINKO KAWAUCHI 川内 倫子 AS IT IS as it is 2016年に出産、子育てをする中で巡り合った千葉の土地での新しい生活の断片を、子どもの成長と合わせて描き出す。四

。 SHINTARO SATO, WHO LIVES IN CHIBA CITY, EXHIBITS TWO SERIES OF HIS WORKS: GEOGRAPHY IS A SERIES CONSISTING OF SIX PHOTOGRAPHS OF THE SURFACE OF RECLAIMED LAND ON THE TOKYO BAY COAST, TAKEN IN THE WINTER OF 1992 WITH A LARGE FORMAT CAMERA; BOUNDARIES IS A SERIES EXPLORING “BOUNDARIES” AS ITS THEME, THE EXHIBITED PHOTOGRAPHS SHOT IN AND AROUND CHIBA CITY, INCLUDING INAGE. SATO’S WORK IS OF A MYSTERIOUS DEPTH, ACHIEVED BY COMBINING MULTIPLE SPACES, EMERGING FROM CLIFFS THAT ONCE FACED THE SEA, AND AT VARIOUS TIMES WITH THE CHANGING SEASONS. EXHIBITED IN THE HISTORIC SPACE OF SAYADO

, GIVING THE IMPRESSION THAT HE OR SHE HAS ENTERED THEM. WITH THE EXHIBITION HAVING TO BE POSTPONED DUE TO COVID-19, IT NOW GOES AHEAD IN WHAT IS THE 10TH ANNIVERSARY OF THE GREAT EAST JAPAN EARTHQUAKE, AND ARAI HAS CAPTURED THE PRESENT EASTERN COASTAL REGION, WITH QUAKE-AFFECTED CHIBA AS HIS STARTING POINT, DEPICTING THE LINK BETWEEN TIME AND SPACE. Takashi Arai A multiple monument for Lucky Dragon 5 From the series of EXPOSED IN A HUNDRED SUNS 2013 Daguerreotype 106x198cm Private Collection 新井卓 第五福竜丸のための多焦点