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Knowledge Spots｜Chibanosuke Guide 1Animals that once inhabited the Chiba area Chibanosuke Guide Mammals that no longer exist today lived in Japan during the Paleolithic period. Whoa, really? There were animals like that? Aye. Examples include the Japanese giant deer and the Naumann's elephant. There were elephants! And giant deer... but they still live there, right? Nay, Naumann's elephant is smaller than the Asian and African elephants, and lived in the Japanese archipelago until about 20,000 years past. Illustration of the Naumann's elephant The Japanese giant deer had larger antlers and a larger body than the

Knowledge Spots｜Chibanosuke Guide 4A National Treasure Among Ruins! Chibanosuke Guide The Kasori Shell Mounds is a truly amazing site, isn't it? Yeah! I heard they’re some of the most important ruins in all of Japan. Entrance Stone of Kasori Shell Mounds Park Ho ho... you knew a lot! It's been designated a Special Historic Site. What’s a “Special Historic Site”? These are ruins within Japan that should be specially protected and known to all citizens. Are there many special historical sites? Nay. There are about 460,000 registered historical sites in Japan. There are only

only a little over 140 centimeters. Bones found at samurai residences in Kamakura suggest the same size. Horses today are way bigger, right? Aye. Thoroughbreds, which are common today, stand around 160 centimeters tall. After the Meiji period, foreign breeds were imported and crossbred, which made horses in Japan larger. But only a few native breeds remain today, like the Kiso horse and the Hokkaido pony.

Guide Wow, that pasture stretches all the way from Chiba to Noda! That be the Kogane Pasture. In Shimousa Province, there was also the Sakura Pasture, and in Awa Province, the Mineoka Pasture. So Chiba had lots of pastures! Were there government pastures like this all over Japan? Nay—other than those, only the Ashitaka Pasture in today’s Shizuoka Prefecture existed. The shogunate’s pastures were mostly concentrated in what is now Chiba Prefecture.

や注意事項等は、こちらをご確認ください。 生態系へのジャックイン展 ななめな学校 CHIBA CITY 100th ANNIVERSARY beyond 2020 日本博 JAPAN CULTURE EXPO Copyright 2021 CHIBA CITY FESTIVAL OF ARTS Page Top

や注意事項等は、こちらをご確認ください。 生態系へのジャックイン展 ななめな学校 CHIBA CITY 100th ANNIVERSARY beyond 2020 日本博 JAPAN CULTURE EXPO Copyright 2021 CHIBA CITY FESTIVAL OF ARTS Page Top

賞国内作家賞、写真の会賞受賞。 BORN IN TOKYO. GRADUATED FROM WASEDA UNIVERSITY WITH A MAJOR IN ARTS OF THE FACULTY OF LITERATURE, AND STARTED PHOTOGRAPHY IN THE MID-1980S. LAUNCHING 03FOTOS IN ‘90. HAS HAD MANY SOLO AND GROUP EXHIBITIONS IN JAPAN AND ABROAD. PHOTO COLLECTIONS BOOKS ARE “NU・E”, “FUNICURI FUNICURA", "HALF AWAKE AND HALF ASLEEP IN THE WATER", AND "EVER AFTER”, ETC. SHE HAS RECEIVED THE NEWCOMER'S AWARD OF THE PHOTOGRAPHIC SOCIETY OF JAPAN, THE HIGASHIKAWA AWARD FOR DOMESTIC ARTISTS, AND THE SOCIETY OF PHOTOGRAPHY AWARD. LIVES IN TOKYO.

ーリー」「道」「流れ雲旅」など。 KAZUO KITAI, BORN IN CHINA IN 1944, IS BEST KNOWN FOR HIS PROTEST PHOTOGRAPHY OF THE 1960S AND 1970S. HE EARNED THE PRESTIGIOUS IHEI KIMURA MEMORIAL AWARD FOR PHOTOGRAPHY FOR HIS WORK “MURA-E”, A YEAR-LONG DOCUMENTATION OF JAPAN’S RURAL LIFE. IN THE 1980S, HE CONCERNED HIMSELF WITH THE CITIZENS OF OSAKA AND TOKYO (”SHINSEKAI MONOGATARI”, “FUNABASHI MONOGATARI”). RECENT YEARS HAVE SEEN HIM PUBLISH A REGULAR COLUMN IN NIPPON CAMERA MAGAZINE (”WALKING WITH LEICA”) AS WELL AS A RISE OF PUBLIC INTEREST IN HIS WORK BOTH IN JAPAN

はもう聴けないのか、生き残った者は死者や過去とどのようにつき合うのか写真とテキストで探っている。 BORN IN CHIBA JAPAN. EDUCATION／MFA, THE SLADE SCHOOL OF FINE ART UNIVERSITY COLLEGE LONDON. MA, TOKYO NATIONAL UNIVERSITY OF FINE ART AND MUSIC. SOLO EXHIBITION／MARUKI GALLERY FOR ATOMIC BOMB, JAPAN. PHOTOGRAHERS' GALLERY,JAPAN. GROUP EXHIBITION／ROYAL ARMOURIES MUSEUM LEEDS, U.K. CAMEDEM ART CENTER, LONDON, U.K. COLLECTION／ ROYAL ARMOURIES MUSEUM, LEEDS

THE STAGE FOR MANDA-LA. INITIALLY, THE PHOTOGRAPHER HAD PLANNED TO PORTRAY THE DEVELOPMENT AND CURRENT STATE OF CHIBA CITY, PLACING HIS FATHER, MASAO, A FORMER EMPLOYEE OF THE JFE STEEL CORPORATION (FORMERLY KAWASAKI STEEL CO., LTD.), AT ITS CENTER, BUT INCLUDING HIS FATHER'S FORMER COLLEAGUES, WHO WORKED DURING JAPAN'S PERIOD OF HIGH ECONOMIC GROWTH, THE PHOTOGRAPHER'S YOUNGER BROTHER, AND PRESENT-DAY EMPLOYEES OF THE COMPANY. TWO YEARS INTO THE PRODUCTION OF THE WORK, HOWEVER, USAMI'S FATHER, WHO HAD BEEN ITS PIVOTAL CHARACTER, PASSED AWAY. THE WORK WOULD BE COMPLETED IN SPITE OF THE PHOTOGRAPHER'