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Knowledge Spots｜Chibanosuke Guide 35A Sweet Connection with Sweet Potatoes!? Chibanosuke Guide Starch production from sweet potatoes flourished after the Meiji period. In the late Taishō era, a factory that processed starch into food products moved into the city, making it an important local industry. They say the starch was used to make things like mizuame (sweet syrup). Chiba City really has a close connection with sweet potatoes! I love roasted sweet potatoes and mizuame! We should be grateful to the people of the past who valued sweet potatoes so much.

Knowledge Spots｜Chibanosuke Guide 36Balloons… That Were Bombs!? Chibanosuke Guide What’s a “balloon bomb”? Toward the end of the war, the army developed a weapon that attached bombs to balloons about 10 meters in diameter. They released them into the jet stream to send them across the Pacific to attack America. It was created by the Army's Technical Research Institute and launched by the Army Balloon Regiment. They launched about 9,000 of them from three coastal areas—along the Pacific in Ibaraki, Fukushima, and Chiba. Nearly 1,000 made it all the way to the U.S.,

? According to records, it was a student-run assembly where children planned and carried out all sorts of activities—writing essays and poems, singing, dancing, reading, studying on their own, holding discussions and meetings… you name it, they did it! Wow, to think they were doing that back in the Taishō period! Education in Chiba City was really ahead of its time.

Knowledge Spots｜Chibanosuke Guide 39Telephones Were a Status Symbol!? Chibanosuke Guide Finally, telephones make an appearance! Aye, but even around 1935, only about 1,200 households in Chiba City—roughly ten percent—had phone service. Only shops, government offices, and a few wealthy families could afford one. So phones were a status symbol back then. Some of the shops in the sugoroku game don’t even have phone numbers!

部門で構成される、 千葉市で初めて行われる芸術祭です。 Connecting through art. Art gives us the freedom to initiate change. The Chiba City Festival of Arts is the first art festival to be held in Chiba City. There will be 3 programs: CHIBA FOTO A different look at our world through photographic expressions. Experiential/Creation Workshops Workshops where visitors can learn to think and create as they feel. Traditional Culture/New Culture Station A base to take on the challenge of tradition versus innovation. THE

, and things will start looking very different. When we encounter new perspectives and values, we have a tendency to want to start something new. Chiba City should no longer be, “Nothing special” but a place to create “Something new.” Opportunities to learn and change, should exist outside the school, in lots of places. Obviously, you cannot create something from nothing. From the tradition that already exists as part of our lives, we can find brilliant things that can bring on the future. And we can polish these and reshape them into new forms. This is an advantage for us

なめな学校,ジャックイン展 HOME ARTISTS ABOUT INTERVIEW PLACE 千の葉芸術祭 Instagram 千葉市ゆかりの家・いなげ The Historical "Yukari no ie" House in Inage 千葉市稲毛区稲毛1-16-12 1-16-12, Inage, Inage-ku, Chiba City ASAKO NARAHASHI 楢橋 朝子 SEA SIDE LINE Sea Side Line 水中からの眺めという非日常的な視点から、人の暮らしのあ

ィションの写真が展示される。複製、印刷といった文化の裏舞台が見られることも本展の見どころである。 KAZUO KITAI, WHO LIVES IN CHIBA PREFECTURE, HAS PRODUCED MANY WORKS SET IN THE AREA. THROUGH THESE WORKS, ONE CAN FEEL THE SCENERY OF CHIBA: THE SCENT OF THE SEA AND THE LIVES OF THE LOCAL PEOPLE AT THE TIME, MORE THAN HALF A CENTURY AGO. IN THIS EXHIBITION, KITAI SHOWS THE VIEWER THE PROCESS

EXHIBITION FEATURING WORKS BY KUMI YOKOYU, WHO HAS ARRIVED AT PHOTOGRAPHIC EXPRESSION WITH A PROFOUND KNOWLEDGE OF PAINTING AND SCULPTURE. SHE HAS CREATED A GROUP OF WORKS WHILE FACING THE LOSS OF THE PERSON CLOSEST TO HER, HER GRANDMOTHER, AND THE DEEP SORROW THAT ENSUED, UNTIL HER ACCEPTANCE OF THIS IN A VERY PERSONAL WAY. THESE WORKS ARE EXHIBITED ON THE SECOND FLOOR OF THE FORMER KAMIYA DENBEI INAGE VILLA, ORIGINALLY BUILT FOR PRIVATE USE. からっぽを着る There Once Was 2013 Direct print ©Kumi Yokoyu 真冬のお盆 6年目 The

い描いたイメージを実現しようともがき、本作は生み出された。 MANDA-LA IS THE MOST IMPORTANT WORK OF PHOTOGRAPHER MASAHIRO USAMI, WHO VISUALIZES THE MEMORY OF A PLACE THROUGH A SINGLE INDIVIDUAL IN A SINGLE PHOTOGRAPH. THE REAL PLEASURE OF THIS SERIES IS ITS REPRESENTATION OF MULTIPLE TIMES AND EVENTS IN A SINGLE PHOTOGRAPH WITHOUT THE USE OF COMPOSITE TECHNOLOGY SUCH AS CG. THIS TIME, CHIBA CITY, WHERE THE PHOTOGRAPHER WAS BORN AND LIVED FOR 30 YEARS, SETS THE STAGE FOR MANDA-LA.