up of shrine parishioners. The dance ritual begins with an invitation to the gods by the “Dance of the Shrine Maidens”, followed by mythology-based performances, ending with the “Ohayashi no Mai” to send the gods off, which is a performance accompanied by instruments. It features twelve different Kagura performances. All the performers wear masks and the performance is mimed. This type of Kagura is said to have been influenced by Edo Kagura and the dance is performed in a hall based on a Noh stage. There are dedicated Kagura performances during the New Year’s Festival (January), the

https://www.city.chiba.jp/kyoiku/shogaigakushu/bunkazai/bunkazaisetumeiban_sengenjinjya_fl.html 種別：html サイズ：19.482KB

城ノ台遺跡

on the north-east side of the plateau, another earthen mound on the south-east side, as well as a flat area known as a “koshiguruwa” below (this is a flat area which cut into a slope for defensive purposes). Excavations also revealed a boundary line, moat and koshiguruwa, which all belonged to the castle. However, there were no ceramic artefacts found amongst the items that were excavated. As a result, it is believed that this was used as a temporary site, such as a fort. During the Warring States Period, the Satomi Clan was based in Awa Province (

https://www.city.chiba.jp/kyoiku/shogaigakushu/bunkazai/jyounodaiiseki.html 種別：html サイズ：22.498KB

来迎寺

, which led to it being relocated to its current location. Within the grounds are a row of five stone memorial towers (designated cultural properties belonging to Chiba City) for Sadatane's son Ujitane, his son Mitsutane and Ujitane's wife, Zenni Ensho. The dates on the stone towers can all be traced back to the 15th century. Ujitane served under Ashikaga Takauji and became the guardian of Shimousa Province (currently the northern area of Chiba Prefecture), as well as Iga Province (Mie Prefecture) and Kazusa Province (central Chiba). Ujitane’s children included his oldest son Mitsutane, as well as

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